St. Audoen's has the distinction of being the only medieval
parish church, retaining any original features, still in use within the city of
Dublin. It is dedicated to St. Audoen or, in the French version, Ouen, the 7th
century bishop of Rouen and patron saint of Normandy. It was originally built between the years 1181
- 1212 and it was located in the commercial and industrial heart of medieval
Dublin and it became an institution of civil and ecclesiastical life in the
city. It was during this time that the Guild of At. Anne was established in
1430 in St. Audeon's
This blur is the seal of St. Anne's Guild and this is a drawing of what the blur should look like
In 1430, King Henry VI authorized the establishment of a
chantry, which is a fund established by donors to pay for a priest to celebrate
sung Masses for a specified purpose (generally for the soul of the deceased
donor to gain a speedier remission of punishment for sins committed). Chantries
were usually endowed with land given by the donors, the income from which maintained
the chantry priest. What made these churches so unique was that a chantry
chapel was built on private land or a in a dedicated area within a greater church,
built especially for these celebrated Masses that were sung not only when they
died, but also on their anniversaries. St. Audoen's added St. Anne's Chapel and
the Portlester chapel to contain the overflow and allow for extra religious
festivals and blessings.
St. Anne's Chapel
At its heyday, the church was closely connected with the
Guilds of the city and "was accounted the best in Dublin for the greater
number of Aldermen and Worships of the city living in the Parish". The
Tanners and Bakers' Guilds were among some of the many Guilds that were associated
with St. Anne's Guild
The coat of arms for the Guilds that were assoicated with St. Anne's
The Portlester chapel ruin constitutes a portion of the ancient church. The present church exhibits the architectural peculiarities of the 14th and 15th centuries. It originally consisted of a double aisle, separated by six massive octagonal columns, supporting gothic or pointed arches; but the present church only occupies a fourth of the original edifice, the remainder being in complete ruin.
Extension of the south aisle and site of the Portlester Chapel, 15th century. St. Audoen's Church, Dublin, Ireland.
This parish church was eminently distinguished for its
ancient monumental remains, few of which, however, have survived. Amongst
these, one particularly deserving of attention lies near the east end of the
south aisle. It is a handsome table monument, of black marble, bearing the
recumbent effigies of a knight in armor, and his lady, and is still remarkably
perfect. The Portlester Tomb, now lying under the bell tower of Saint Audoen’s
Church, is a superb piece of commemorative sculpture. It is one of very few
medieval sculptures in Dublin to survive intact into the modern day.
My poor picture taking skills are showing
Here is a better one (not of my taking)
Close up of their faces
This tomb was erected in the year 1455 for Sir Roland Fitz-Eustace, Baron Portlester, in the County of Kildare, He successively filled the important offices of Deputy, under the Lord Lieutenancy of Ireland, of George, Duke of Clarence, the brother of Edward the Fourth -- then of Lord Chancellor -- and lastly, High Treasurer of the Kingdom, which place he held for no less a period than 38 years. He was ennobled under the title of Baron of Portlester, by Edward the Fourth, in 1462. He died in the year 1496, and was interred in the Franciscan Abbey Church of New Abbey, in the county of Kildare, which he had himself founded, and in which there is a similar monument to his memory, and that of his lady, the daughter of Jenico d'Artois.
The tomb in St. Audeon's Church bears on the margin the following inscription in the black letter or gothic character:
"Orate pro anima Rolandi Fitz Eustace de
Portlester, qui hunc locum sive rapellum dedit, in
honorem beatae Mariae Virginis, etiam pro anima
Margaritae uroris suae, et pro animabus omnium
fidelium defunctorum."
I have to say that this was my favorite church. Not only was it free (major points) but the musem documented its history really well and you could walk around freely and see everything. It was a very good find.











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